Free Download: Trizz releases his new EP titled 'Lost Recordings' which is free to download before his solo album 'LeatherFace 2' drops on September 9. 'Lost Recordings' include 4 tracks and an intro with guest appearances by Brotha Lynch Hung, King Gordy, Chuuwee and Big Scoob. All tracks produced by Ac3 Beats except 'C.T.E' co-produced by Curtiss King. Tracklist 'Lost Recordings': 1. Lynch Findings (feat. Brotha Lynch Hung) 2. In The Dark (feat.

1. King Gordy The Entity
2. King Gordy Instagram
3. King Gordy Merchandise

King Gordy) 3. 12 In The Trunk 5. Talk About It (feat. Chuuwee & Big Scoob) 'LeatherFace 2' by Trizz will be out on September 9. Guest appearances include Bizarre, Roc$tedy, Sahtyre, Futuristic, Twisted Insane, and Chuuwee. 'LeatherFace 2' Album Pre-Order: - iTunes: apple.co/2biCOre - Google Play: bit.ly/2b5CCxS - Bandcamp: bit.ly/2bi6CY1 CD Pre-Order: bit.ly/2bCpkaP Follow Trizz: - twitter.com/Tr1zz - www.facebook.com/TrizzNW Below System Records 2016 www.belowsystem.com Genre Comment by whhooaa trizz going hard!!!

2016-08-28T01:43:52Z. License: all-rights-reserved.

The latest mixtapes, videos, news, and anything else hip hop related from your favorite artists. Don't post songs from the! Day Event Mon Tue Wed Thu Fri Sat Sun. Guidelines. READ THE BEFORE YOU POST. If there's a Reddit embedded link (YouTube, Soundcloud) for your post, post it! Your post could be removed if you don't.

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Lists. Post Tags. Related Subs. (for graffiti). I know everyone is itchin to shit on the next guide in this place, and there was a thread written about how it's too much, but I really wanna do this because I think underground artists should get shit like this going.

Especially underground artists with an extensive catalog, showcased by their fans. So this is what I've got going for King Gordy, who I've been a big fan of for years. Let's get to it, retards. King Gordy is an obese and insane horrorcore rapper from Detroit with his hair braided into devil horns who loves smoking weed. He did a cameo in 8 Mile as Big O. You can get all this shit from Wikipedia, you don’t need a cunty faggot like me giving you his bio. He is the only rapper I know of who is legitimately offensive.

For every “offensive” rapper who just makes fun of gay people and women, King Gordy will rap about being a pedophile KKK member who shoves hot irons up his ass. Then he’ll do a track about being a werewolf. Then he’ll do a track with no cursing whatsoever about having a crush on his elementary school teacher. He’s got a flow somewhere between mid-level Biggie and E-40. He is great lyrically, but it’s his content and concepts which really make him stand apart.

Anyway, let’s get into it. 2003 - The Entity For all intents and purposes, This is, to this day, King Gordy’s most commercially accessible album. It was fashioned to be that way.

It was like when Yelawolf came out with Radioactive. It was fashioned to be his big intro to the world. Eminem was the executive producer. He kept his themes pretty identifiable, and didn’t lay too heavily into the weird shit. For this reason, it is my least favorite album, but he does touch on some themes he’ll develop later, including a skit where he shoots up a playground and paints a pretty vivid depiction of urban squalor (on par with something Bizarre would throw out, so it’s not surprising they’re friends.) Standout Tracks: (the only track from the record I play TO THIS DAY, great flow and he really showcases a soulful voice he’ll tap into later.) 2006 - King of Horrorcore Surprise bitches, The Entity didn’t do what it was supposed to do. King Gordy didn’t become a household name, and maybe we should have known better than to think it would.

Hardcore rappers have the tendency to think the general public wants hardcore shit. Welcome to the story of underground rap. Our next speaker is Prodigy Anyway, King of Horrorcore is King Gordy’s first in a long line of mixtapes. This is where he starts getting comfortable with that edgier sound. He starts becoming a bit more polarized, and you’ll see this more with the next mixtape. There is the horrorcore Gordy, and the street Gordy.

King Gordy The Entity

Standout Tracks: (I end up having the hook from this running through my head every once in awhile, it’s good.) (here’s that werewolf track. Lata rafi songs download. Nobody likes werewolves and everyone thinks they’re corny, but here’s some legit shit.) (here’s some less fantasy horror shit.) 2007 - Van Dyke and Harper Music Here’s where King Gordy starts shedding some horrorcore themes and makes straight rap. Many people will tell you he’s not as good at it as the more extreme shit, and they would be right. It might be your cup o fuckin tea though. Standout Tracks: (even when he’s making a track about selling crack he manages to be weird.) 2007 - Cobain's Diary A staple of Horrorcore is rock and metal, and you’ll see Kurt Cobain pop up repeatedly in King Gordy’s lyrics. You’ll see guitars and other shit appearing more.

He says this is a mixtape but it feels more like an album. I would only recommend this to people who are already interested in King Gordy, as this isn’t a mind-changer of a record, but there are a couple of standout tracks that I will get into in a minute. Overall, you really get the sense that he is finding his voice. He might turn on his voice later on (he recently claimed he is not doing horrorcore rap anymore, but to be fair he did get shot 5 times earlier this year) but this is the gestation of a really cool style. Standout Tracks: (good serial killer track, pretty much the entire discography of Brotha Lynch Hung in a nutshell) (good track about the trappings of fame, but you've heard one you've heard them all.

King Gordy Instagram

Good hook though.) (I’m just a sucker for the beat and chorus of this one and I’m white so I love pipe organs and guitars) 2008 - The Great American Weed Smoker And now we’re back to more of the rapper-Gordy, and this is big on weed. If you like weed, you’ll love this. But if you love weed and hate King Gordy so far, then just fuck off to a different tab. When this record dropped I was tricked by the awesome cover, and I was expecting a bigger sound. Don’t make the same mistake I did.

This is a very underground-sounding record. It’s neither crazy nor bombastic. The intro is titled “Peter Tosh.” Aside from a couple tracks on this one I don’t ever listen to it, but give it a shot. If you like it, though, you’re an idiot. Standout Tracks: (decent beat, ridiculous lyrics for awhile.) (track about an alien invasion.) (the first line of this track makes me laugh out loud every single time; satirical track about being a professional boxer, if you don't love this beat you're a bitch made piss boy.) 2009 - King of Horrorcore II ONE OF THE TOP 3 KING GORDY ALBUMS TO GET. Right back to the fucking horrorcore. Take King of Horrorcore 1 and make it more focused and you have this.

You sacrifice the scope and variety of tracks but you get one really good example of what King Gordy is about. The production is better, the hooks are better, it’s darker but also catchier at the same time. He’s got a track about being the Jigsaw killer, a drug track, a random-ass track about wanting to fuck Kelly Osbourne This is Number 2 for albums I would pick to get people into King Gordy. Standout Tracks: (one of the all-time best King Gordy tracks I’ve heard.) (classic Gordy shock track, amazing production) 2010 - Xerxes The God-King THIS IS MY NUMBER ONE KING GORDY ALBUM. THIS ALBUM IS GRIM AS FUCK AND CRAZY AS TITS. The first track on this album is “Xerxes Intro feat. Adolf Hitler.” The outro of the album has a long verse about killing Barack Obama and raping his wife and children and being a KKK member.

Sing for the Dead is about zombies. Float Away is about being a junkie. It’s all the best parts about King Gordy in one record. It’s one of those albums where if it was his last one ever, I would be okay with that. The production is as close as I’ve seen to The Entity, but in my opinion it surpasses it because his style is more refined at this point. IF YOU LISTEN TO ONE RECORD MAKE IT THIS ONE. Standout Tracks: (one of the most accessible tracks on the record, and one of his dopest flows and choruses ever) The Horrorshow 2011 - Sings the Blues THE THIRD IMPORTANT KING GORDY RECORD TO LISTEN TO.

I include this in the list simply because it is such a departure. It shows his versatility as an artist. As far as I can tell – and I haven’t put in the time to truly verify this – there is no cursing on this album. It is super lo-fi, it is very underground, and it samples old jazz tracks for some of it. It’s a blues album. It’s very dark, very slow, pretty depressing. It’s one of the most real albums you’ll hear, and definitely the most real album he has released.

Standout Tracks: (no cursing, old sample, elementary school crush track, fucking amazing) (this was the “single” for the record, very funny, great production, about the difficulties in being a weird underground artist trying to make it big) Gordy the Great (another pretty jazzy track – “Minnie the Moocher” beat - got the familiar flow, but can't find a link for this one.) 2011 – Jesus Christ’s Mistress While this isn’t in the top 3, it is a contender for having one of the best intro tracks, with one of the best verses. “Well hardcore anal / On all fours, thank you / Welcome Jesus Christ’s Mistress / Hail Dark Lord vader!” It doesn’t have any standout tracks other than that, although the production is good. It’s an EP so you can’t go in expecting groundbreaking shit. If I’ve made you a fan by this point, then get it cause you’ll like it. Standout Tracks: (you knew I was gonna link this) (great fucking production, great concept, emotional etc) (great flow, more of the Star Wars theme, standard Gordy ridiculousness.) 2012 – Hail Dark Lord Vader This is the last record he released, and I liked how he was running with the Lord Vader theme. HDLV has another great Star Wars sample in the production (why didn’t anyone think of doing this shit before?) It’s another EP so there’s not a lot of breadth of content to discuss, but if you combine this with the previous one I think you’d have one solid album. Standout Tracks: (one of his last classic tracks, it surprised me on how great the concept and execution as.

Incredible production, this is one of the reasons you listen to King Gordy.) (here we go again with this, a track about suicide to an amazing beat.) (this one is pretty big because it was not long after this that he was shot during an attempted robbery. During the time I was thinking this could be his last track ever. And if that were the case, this would be the perfect one. It’s sad but optimistic, regretful but hopeful, damaged but wise. It’s the song of the underground artist who’s still like “what the fuck is going on?”) TL;DR Get these 3 albums: Xerxes the God-King King Gordy Sings the Blues King of Horrorcore 2 Or get these tracks: Xerxes Outro Move Along Allah Vs. Christ Pass Me A Lighter Go Ahead and Die Fearless Thanks for reading to the end.

If you end up liking King Gordy, let me know. If you already liked him, post some tracks you think I missed or discuss where I fucked up in my analysis. If you hate him, say that too, I don’t give a shit. He’s not the best artist in the world, but no artist is the best artist in the world.

AND TO FINISH THIS LONG ASS FUCKING ENTRY, the last bit of the Xerxes Outro. It's light-out at the White House / Barack is lying out, dying / Michelle's pussy is trying to dry out / So what the fuck to do?

/ But piss off enough in you that'll puncture a lung or two / Fuck it your blood is wonderful to watch / It's running down his socks / It's coming out his boxers, they're bloody too, he's going into shock / And if you come askin' if I'm a Ku Klux Klansman / The answer is yes / Yes Gordy, you've hung black men to death / Man fuck your God / Fuck your race / Fuck Allah / Jesus can get fucked in the face / motherfuckers say they want the Horns, well I'm giving them to 'em / I want my Horns back, Satan, I was just lending them to him / XERXES MOTHERFUCKER. I like Tech but there's one thing I want him to do that he seems incapable of, but it's something Eminem does all the time: cut a record that doesn't have many features. I still maintain that Killer is the purest Tech N9ne album, one that brings together all his personalities and themes and whatever the fuck perfectly. It's a big record but it has such a variety of sounds and flows.

King Gordy Merchandise

Do something like that, but without all these other motherfuckers on it. Have Krizz and maybe a couple others, but that's it. ICP got where they were at, in my opinion, because of the white factor (it's undeniable, even though they never addressed it in their tracks like some others) and the merchandise. Even the biggest ICP haters will give props to their marketing efforts. I am of the mind that their merch sucks, their videos are corny, and their whole empire is shit, but that might just be me. They will always be decent for putting on Twiztid, but that's it.

One record, I think, where ICP were good lyrically. Where everything was on point and they were in their element. Everything else has been a fucking fiasco.

They have great production from Mike Clark (he needs to do more work with other artists) but. They're not great.